Εμφάνιση αναρτήσεων με ετικέτα Bent. Εμφάνιση όλων των αναρτήσεων
Εμφάνιση αναρτήσεων με ετικέτα Bent. Εμφάνιση όλων των αναρτήσεων

Bent - Intercept! (2006)


Bent - Intercept!
Original Release Date: Oct 9, 2006
Label: Amato
Genre: Electronica
Size: 329 Mb
Flac (Separate tracks + .cue + .log + Covers)

Tracklist:
1. Exercise 7 (4:45)
2. To Be Loved (4:24)
3. Stay Out All Night (4:40)
4. Breakfast at 80,000ft (3:17)
5. Tired of the Show (3:55)
6. Wendy, Darling (1:28)
7. Waiting for You (5:20)
8. As Seen From Space (2:28)
9. The Handbrake (5:16)
10. Leavin' Me (5:54)
11. After All the Love (4:31)
Bent's fourth album, Intercept!, picks up after Ariels and further masters their blend of eccentric chillout and ethereal house. The secret ingredient is an unconventional lushness from the duo's signature background effects and array of beats. The tag team of Nail Tolliday and Simon Mills split from their record label between albums, and consider themselves in a rebirth stage. There are still many aspects of the custom Bent sound present, but Intercept! is tinged with more sophisticated lyrics and polished beats. Their unusual melodies result from a programmable charisma and celestial ambience throughout all of their material.Just as their debut, Programmed to Love, began with "Exercise 1", Intercept! begins with #7 in the series, commenced by the familiar old man's voice, angelically gliding around a sample of uptempo chillout palpitations. "Breakfast at 80,000 ft" is a Lemon Jelly-esque spacewalk in the morning sun. "Wendy darling" is a short, stringy melody breathing over a light flute that would go well in an evening drive to a party. "As Seen From Space" is the most delicate track, with soft piano flights and a virtuous chorale that could even de-stress Woody Allen before bed. Guest vocals are notably provided by Simian's former frontman, Simon Lord, on nearly half of the tracks. While Simian is defunct, its essence lives on vicariously through Intercept!. "To Be Loved" is a cascading jaunt remniscient of Simian's quirky pop. Similarly, "Waiting For You" is a jittery, fuzztronic track with altered vocals and an erratic guitar loop. Though less uptempo, "Tired of the Show" is a beeping, frustrated swing on a relatively thin backdrop. In a calmer tense, "The Handbrake" is a rubberized, swooning ballad, sustaining a flighty sensation throughout. Simian-esque beats and minimal vocals form the base of "After All the Love", highlighted by whistling and soothing harmonica to finish the album. Bent blissfully extend their catalog with Intercept! and continue to develop their unique brand of electronica. With a large portion of the album featuring the same vocalist, there is perhaps more of a continuity with this album than in the past, but Bent's idea of continuity is still quite vast. The airy synth, digital claps, and staccatoed guitar are obvious in several tracks, but in a wide array of melodies and tempos. Intercept! is yet another triumph, and Bent remain innovators of indie chillout.

Bent - Ariels (2004)


Bent - Ariels
Original Release Date: Oct 12, 2004
Label: El Dance
Genre: Electronica
Size: 420 Mb
Flac (Separate tracks + .cue + .log + Covers)

Tracklist:
1. Comin' Back (4:41)
2. Sunday 29th (4:09)
3. I Can't Believe It's Over (4:17)
4. As You Fall (3:35)
5. Silent Life (4:59)
6. Sing Me (5:15)
7. On The Lake (3:20)
8. Now I Must Remember (4:47)
9. You Are The Oscillator (3:49)
10. Sunday Boy (5:51)
11. Exercise 4 (5:44)
12. The Waters Deep (8:32)
Bent arrived on the back of the chill-out craze that pervaded the first half of 2000, and they proved to be assured and humourous players. Their albums Programmed To Love and The Everlasting Blink are both very listenable, if criticised for being a touch unkempt around the edges.Ariels is an audible change of gear, with a tightened grip on structure and a change of focus to more song-based material. Guests brought in to achieve this include Sian Evans from Kosheen, Rachel Foster (Weekend Players), Steve Edwards and long standing vocal accomplice Katty.The new approach pays handsome dividends, with the opening trio as strong a start as you could hope for. Comin' Back has a gorgeous old time vocal from Foster and a euphoric chorus, its sprightly beat an uplifting vibe. Sunday 29th evokes Dubstar at their best, a throwaway chorus and breezy lyrics. So far so good, and a hint of melancholia on I Can't Believe It's Over gives air to the rich voice of Sian, sounding much more at home in this musical company. The focus drifts for a while in the dreamy As You Fall, while Silent Life attempts to recreate the upbeat mood from the opening, largely successfully. On The Lake is awash with harp glissandi, certainly not sparing on the production front, but creating a lush, humid atmosphere. The breathy vocals for Now I Must Remember and Sunday Boy make for a pair of winning downtempo tunes, but the instrumental Exercise 4 is perhaps the best here, its electro touch more than welcome. Closing track The Waters Deep takes the warm fuzzy feeling over the horizon.Bent use for the most part a wide open sound, creating real outdoor music for the summer. At times this means the production can lack subtlety, disappearing into a warm mush, but more often than not there's a hook or vocal to enjoy. It's certainly a step forward from previous records and means they're punching at the same weight as their fellow downtempo duos Groove Armada and Lemon Jelly.What really works here though is the fact that a summery record is being released at exactly the right time. So many labels get this wrong, dictated by the traditional "boom" periods of spring and autumn, while what the music lover wants is hot, sunny music for hot, sunny days - and that's what Bent are offering. With a bit of class thrown in.

Bent - The Everlasting Blink (2003)


Bent - The Everlasting Blink
Original Release Date: Mar 3, 2003
Label: Guidance Records
Genre: Electronica
Size: 409 Mb
Flac (Separate tracks + .cue + .log + Covers)

Tracklisting:
01. Bent - King Wisp
02. Bent - An Ordinary Day
03. Bent - Strictly Bongo
04. Bent - Beautiful Otherness
05. Bent - Moonbeams
06. Bent - So Long Without You
07. Bent - Exercise 3
08. Bent - Stay the Same
09. Bent - Magic Love
10. Bent - The Everlasting Blink
11. Bent - Thick Ear
Guidance Recordings is very pleased to announce the signing of Nottingham, England based duo, Bent whose truly innovative blend of kitsch sci-fi flavors has catapulted them to the forefront of the UK downtempo electronica scene alongside Groove Armada, Blue States, Kinobe and Zero 7. Bent a.k.a. Simon Mills and Nail Tolliday first made their way into our hearts, our minds, and our living rooms with their 2000 debut album "Programmed to Love" which heralded a new direction in leftfield dance music and is now widely lauded as one of chill out's crowning moments. For their sophomore outing, Bent have enlisted legendary producer Stephen Hague of New Order and Pet Shop Boy's fame to turn out an enchanting and well crafted album of ethereal pop music that remains firmly tongue in cheek and full of surprises. Armed with a suitcase full of 10p records purchased at car boot sales and a collection of "30 to 40" vintage samplers, Bent work sonic alchemy on the "Everlasting Blink" effortlessly transforming a melting pot of steel guitar twangs, country and western melodies, celestial synthesizers, Glam disco attitude and Hawaiian tiki bar blues into a fluid album of lush song structures underscored by an undeniable optimism and sense of humor. In addition to featured vocalist John Marsh of the Beloved, the album contains "sampled" cameos from The Captain and Tenille, 70's/80's throwback David Essex, and Country music crooner Billie Jo Speers which may sound frightening in theory but work a treat in Bent's most capable hands. Forget about Beckham, bend it like Bent!

Bent - Programmed To Love (2000)


Bent - Programmed To Love
Original Release Date: Sep 5, 2000
Label: Ministry Of Sound
Genre: Electronica
Size: 496 Mb
Flac (Separate tracks + .cue + .log + Covers)

Tracklisting:
01 Exercise 1 (6:27)
02 Private Road (5:31)
03 Laughing Gear (0:57)
04 I Love My Man (5:49)
05 Butterfingers (2:10)
06 Cylons In Love (5:32)
07 Wrong Rock (0:51)
08 A Ribbon For My Hair (5:26)
09 Blue (0:10)
10 I Remember Johnny (5:51)
11 Swollen (7:26)
12 B/Bishop (1:01)
13 Exercise 2 (6:02)
14 Invisible Pedestrian (6:24)
15 Memories (0:44)
16 Irritating Noises (4:22)
17 Always (6:16)
18 Beach Buggy (2:41)
Review by JoE Silva
Much respected on their native English soil, while virtually unknown outside of dance circles elsewhere, Bent traffics in the sort of mid-tempo beats and well-sculpted, chilled atmospheres attributed to many French techno-heads. Differing slightly from the U.K. version of this release, this track listing still includes the gorgeous "Swollen," a Sade sound-alike piece that makes you wonder why they didn't hunt down the original in hopes of possibly scoring a worldwide smash. The experiment, however, falls a little flatter on "Private Road," but only because the melody lacks similar muscle. Kudos are to be given for the vocoder-laden "Cylons in Love" and the wonderfully reconfigured Ernesto Lecuona piece, "Always." Though not every track may manage the allure of the aforementioned, the skill and imagination employed (as on the sample-heavy "Exercise 1," for example) make this a more-than-enjoyable release throughout.